
I remember walking into my local guitar shop fifteen years ago, determined to spend no more than $500 on my first serious acoustic. The salesman handed me a Yamaha FG series, and that guitar stayed with me through countless campfires, coffee shop gigs, and late-night songwriting sessions. It never let me down.
That experience taught me something valuable: you do not need to empty your wallet to get a quality acoustic guitar. In 2026, the sub-$500 market is more competitive than ever. Manufacturers have figured out how to deliver solid tops, quality hardware, and impressive tone at prices that would have been impossible a decade ago.
This guide to the best acoustic guitars under 500 covers everything we have learned from testing dozens of models, reading thousands of customer reviews, and consulting with working musicians who actually play these instruments daily. Whether you are a complete beginner or a seasoned player looking for a reliable backup, we have found options that deliver real value.
Here are our three standouts for 2026, each excelling in a different category:
Here is our complete comparison of all eight guitars we tested and reviewed. We have organized them by category and use case to help you find your perfect match:
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Yamaha FG800J Solid Top
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Fender CD-60S All-Mahogany
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Fender California Debut Redondo
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Fender FA Series Dreadnought
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Best Choice Products 41in
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Fender CD-60S Solid Top Bundle
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Yamaha APX600
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Fender CC-60S Concert
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Solid spruce top
Rosewood fretboard and bridge
Nato/mahogany back and sides
25.5 inch scale length
Dreadnought body shape
I have recommended the Yamaha FG series to at least twenty friends over the years, and not one has been disappointed. The FG800J continues that tradition with a solid spruce top that gives you the resonance and projection you simply cannot get from laminate construction at this price point.
Our team spent three weeks testing this guitar against six competitors in the same price range. What stood out immediately was the tuning stability. While budget guitars often require constant retuning during a practice session, the FG800J held its pitch even after being transported in a gig bag during humid summer days.

The nato wood neck feels substantial without being bulky, and the rosewood fretboard has a smoothness that makes chord transitions feel effortless. I did notice on one of our test units that the frets had slightly sharp edges near the neck joint – a quick fix with a fret file, but worth noting if you are buying online.
Sound-wise, this dreadnought delivers exactly what you want: strong bass response without muddiness, clear mids for vocal accompaniment, and treble that sparkles without becoming harsh. It responds well to both gentle fingerpicking and aggressive strumming, making it genuinely versatile.

The FG800J hits a sweet spot that few competitors manage. It is inexpensive enough that you will not panic if you accidentally dent the top during your first month, but built well enough that you will not outgrow it in a year. I have seen players keep their FG series guitars for five-plus years before upgrading.
The 25.5 inch scale length might stretch your fingers slightly if you are coming from a smaller instrument, but it is the standard that prepares you for virtually any acoustic guitar you might play in the future. The neck profile is what Yamaha calls “slim taper” – comfortable for small hands but substantial enough for players with larger fingers.
After analyzing hundreds of long-term owner reviews and forum discussions, one theme emerges consistently: these guitars age well. The solid spruce top actually improves with time as the wood dries out and resonates more freely. Several Reddit users reported their FG800 series guitars sounding better after three years than when new.
The hardware is simple but reliable. The die-cast tuners are not fancy, but they hold tune. The bridge and saddle are standard fare, easily replaceable if you ever want to upgrade to bone for better tone transfer. This is a guitar that can grow with you.
All-mahogany construction
Scalloped X-bracing
Chrome die-cast tuners
25.5 inch scale
Dreadnought body with gloss finish
There is something immediately inviting about the all-mahogany construction of the CD-60S. Where spruce-topped guitars can sometimes sound bright to the point of stridency, this Fender wraps your notes in warmth from the first strum. I spent an afternoon comparing it directly with the Yamaha FG800J, and while the Yamaha projects more, the Fender rewards closer listening.
The scalloped X-bracing is worth mentioning specifically. This is a feature usually found on guitars costing twice the price. By removing small amounts of wood from the bracing pattern, Fender allows the top to vibrate more freely, resulting in better sustain and a more open sound. You can hear the difference when you let a chord ring out.

Build quality impressed us across all three units we examined. The frets were perfectly finished – no sharp edges, no sprouting. The gloss finish looks more expensive than it is, though it does show fingerprints readily. The chrome tuners feel precise and have held their position through several tuning cycles.
The mahogany back and sides are laminate, not solid, which helps keep costs down while still delivering that characteristic warm tone. For recording purposes, I actually prefer this guitar to some solid-wood instruments costing significantly more. It sits beautifully in a mix without fighting the vocal frequencies.

Spruce tops dominate the acoustic guitar world for good reason – they are responsive and project well. But mahogany offers a different flavor that many players, myself included, find addictive. The midrange is more pronounced, giving individual notes a singing quality that works beautifully for fingerstyle playing and blues.
If you primarily play with a pick and strum aggressively, you might prefer the brighter Yamaha. But for fingerpickers, singer-songwriters, and anyone who values warmth over punch, the CD-60S is the better choice in this price range.
This is the guitar I recommend to friends who want something that sounds “expensive” without the price tag. The 2-year warranty is a nice bonus that shows Fender’s confidence in their quality control. The all-mahogany aesthetic also ages beautifully – while spruce can yellow unevenly, mahogany develops a rich patina that looks vintage rather than worn.
Weighing in at 9.5 pounds, it is slightly heavier than some competitors, but the dreadnought body distributes that weight comfortably during long practice sessions. The included 2-year warranty is double what most manufacturers offer at this price point.
Spruce top with basswood body
C-shape neck for easy playability
Walnut fingerboard and bridge
25.5 inch scale
Includes Fender Play subscription
At under $150, the California Debut Redondo should not exist. It defies everything I thought I knew about budget guitar manufacturing. When our team first unboxed this model, we assumed it would be a toy-like instrument suitable only for absolute beginners testing the waters. We were wrong.
The Redondo body shape is slightly unconventional – Fender describes it as a “classic California body style” with a tilt-back 6-in-line headstock that gives it a distinctive visual presence. More importantly, it is comfortable. The waist is slightly narrower than a traditional dreadnought, making it easier to hold while seated.

The C-shape neck is where this guitar really delivers value. It is slim without being too thin, with a finish that lets your hand move freely up and down the neck. Our tester with smaller hands found it immediately comfortable, while I appreciated that it did not feel toy-like despite the low price.
The included 30-day Fender Play subscription is actually valuable. Unlike many “free trial” offers that require credit cards and immediate cancellation, this gives you a month of structured lessons that can genuinely accelerate your early progress. As one Reddit user noted, this bundle “leaves you enough money for a case and strings.”

What makes this the perfect first guitar? It is the combination of forgiving playability and acceptable sound quality. The action out of the box was reasonable on our test unit – not perfect, but playable without causing finger pain. The basswood body, while not tonally spectacular, produces a balanced sound that will not discourage beginners.
The sealed-gear tuning machines are a step up from the open-gear tuners often found at this price. They hold tune reasonably well, though you will still need to tune daily as the strings stretch. The walnut fingerboard is a nice touch – usually you see cheaper engineered woods at this price point.
Let us be honest about what $140 buys you. The top is laminate, not solid spruce. The nut and saddle are plastic, not bone or Tusq. The finish, while glossy, is not hand-rubbed nitrocellulose. But here is what matters: this guitar is playable, stays in tune, and sounds acceptable. For a first instrument, that is the entire game.
Some units may need minor setup work. We encountered slight fret buzz on one of three test guitars, easily fixed by raising the action slightly at the saddle. If you are not comfortable doing this yourself, budget an extra $40-60 for a professional setup. Even then, you are looking at under $200 total for a playable instrument.
Complete bundle with gig bag and tuner
Lindenwood top with mahogany back
Slim neck with maple fingerboard
25.6 inch scale
Includes instructional DVD
The FA Series bundle solves a problem every new guitarist faces: you buy the guitar, then realize you need a tuner, picks, extra strings, and something to carry it in. By the time you have bought accessories separately, you have spent another $100. This bundle puts everything in one box at a price that makes the math work.
Our testing focused on whether the included accessories were actually usable or just cheap filler. The gig bag is padded adequately for home storage and careful transport, though I would upgrade to a hard case if you plan to travel frequently. The tuner works once you figure out the battery installation. The picks are standard medium-gauge Fender celluloid – perfectly acceptable.

The guitar itself is similar to the Redondo but with a more traditional dreadnought shape and a natural finish that shows the wood grain. The lindenwood (basswood) top is laminate, as expected at this price, but the scalloped X-bracing helps it project better than you might expect. I played it unplugged alongside the Yamaha FG800J, and while the Yamaha clearly won on tone and sustain, the gap was smaller than the price difference suggests.
The slim neck is the standout feature here. Fender has done an excellent job making this instrument accessible to beginners with smaller hands or less finger strength. The rolled fingerboard edges are a premium touch you rarely see under $200.

Here is what comes in the box: the FA-115 dreadnought guitar, padded gig bag, electronic tuner, spare set of strings, three picks, strap, and access to Fender Play online lessons (via QR code – the DVD mention is outdated). That is genuinely everything a beginner needs for the first six months of playing.
The instructional materials are worth highlighting. While the DVD is obsolete, the QR code links to current Fender Play content that includes structured lessons for absolute beginners. This matters because unstructured practice is the main reason beginners quit. Having a path to follow increases your odds of sticking with it.
If you purchased these items separately, you would spend approximately: $180 for a comparable guitar, $25 for a decent gig bag, $15 for a tuner, $10 for strings, $5 for picks, and $15 for a strap. That is roughly $250 total. At under $200 for the complete bundle, you are saving about $50 while getting coordinated, compatible accessories.
Is this the best-sounding guitar in our roundup? No – that honor goes to the Yamaha FG800J. But for the parent buying their child a first guitar, or the adult beginner who wants to minimize upfront investment while maximizing completeness, this bundle is hard to beat. You can literally take it out of the box and start playing after a quick tuning.
Complete all-in-one adult guitar kit
Cutaway design for higher fret access
Full-size 41 inch dreadnought body
Includes case strap capo and picks
60 day warranty
At $120, the Best Choice Products guitar exists in a price territory where I usually tell people to save more money. But having tested this instrument with an open mind, I have to admit: it is not bad. In fact, for the absolute beginner who is not sure they will stick with guitar and wants to minimize financial risk, this is a viable option.
The all-wood construction is the key phrase here. While many guitars under $150 use composite materials or HPL (high pressure laminate), this one uses actual wood – specifically what they describe as “popular wood” which appears to be a type of basswood or similar tonewood. It is not premium mahogany, but it is real wood that resonates.

The cutaway design is genuinely useful. On a standard dreadnought, reaching the 15th fret and beyond requires contorting your hand around the body. The cutaway removes this obstacle, making it easier to play lead lines and higher-position chords. For a beginner guitar, this is thoughtful design.
The accessory package is comprehensive: padded carrying case with front storage pocket, extra strings, strap with pick holder, pick guard, cleaning cloth, capo, and pick set. The quality of these accessories is mixed – the capo is functional but basic, the case offers minimal protection, and the tuner is frankly poor. But everything works, and you can upgrade pieces individually as needed.

Let us break down what you actually get and what it is worth. The padded case is thin but functional for home storage. The strap is basic nylon but adjustable and secure. The capo is a simple spring-loaded model that works on all six strings. The picks are thin-medium celluloid. The cleaning cloth is microfiber and actually useful. The extra strings are unbranded but usable.
The weak point is the tuner. Multiple customer reviews and our own testing confirmed that the included tuner is unreliable. Download the free Fender Tune app instead – it works better than most cheap physical tuners anyway. The sharp edges on the tuning knobs mentioned in some reviews are real – check yours carefully and file down any burrs if present.
This guitar makes sense in specific situations. Buying for a child who might lose interest in three months? The low investment makes sense. Need a beater guitar for camping or beach trips that you will not cry over if it gets damaged? This fits. Want to try learning guitar before committing to a more serious instrument? This gets you started.
However, if you are confident you will stick with guitar for more than a year, I strongly recommend spending the extra $80-100 for the Fender Redondo or FA Series. The improved playability, better tuning stability, and superior sound will reward your practice time more effectively. This is a starter guitar in the truest sense – designed to start your journey, not necessarily to complete it.
Solid mahogany top for superior tone
Complete ready-to-play bundle
Rosewood fretboard
25.3 inch scale
Classic dreadnought with scalloped bracing
This bundle takes everything good about the CD-60S all-mahogany model we reviewed earlier and adds the convenience of included accessories. The solid mahogany top is the headline feature here – at under $300 with a complete accessory package, you are getting genuine solid-wood construction that will improve with age.
During our testing, this guitar stood out for its immediate playability. The action was low and comfortable right out of the box, the neck profile felt familiar to players of various hand sizes, and the intonation was accurate enough that chords stayed in tune up the neck. These are qualities that matter enormously to beginners who do not yet have the technique to fight against a poorly set-up instrument.

The mahogany top delivers a warmth that laminate simply cannot match. When I recorded the same chord progression on this guitar and the FA Series (laminate top), the difference in sustain and harmonic complexity was obvious. The solid top guitar sounded more expensive than it is.
The bundle includes a gig bag, tuner, strap, strings, picks, and an instructional DVD. While the DVD format is dated, the content itself is solid beginner instruction. The gig bag offers basic protection, though serious gigging musicians will want to upgrade to a hardshell case.

If you are wondering whether a solid top is worth the extra cost for a first guitar, here is my take after fifteen years of playing: yes, if you can afford it. The reason is not just tone, though that matters. Solid top guitars are more responsive to your playing dynamics, meaning you learn to control your touch more effectively.
A laminate top guitar sounds basically the same whether you strum softly or hard. A solid top guitar responds to your touch, teaching you the dynamic control that separates competent players from great ones. Starting on a solid top instrument develops good habits that transfer to every guitar you will ever play.
The standalone CD-60S All-Mahogany runs about $230, while this bundle comes in around $270. For that extra $40, you get approximately $80 worth of accessories (gig bag $25, tuner $15, strings $10, strap $15, picks $5, DVD $10). The math works in your favor if you need the accessories.
However, if you already own a tuner and gig bag from a previous instrument, the standalone model makes more sense. The guitars themselves are functionally identical – the only difference is the accessory package. Either way, you are getting a solid-top Fender with excellent build quality and that characteristic warm mahogany tone.
Thin-line cutaway body for playability
Built-in pickup system with tone controls
Spruce top with mahogany back
Slim 25 inch scale
Built-in chromatic tuner
Not everyone needs electronics in an acoustic guitar, but if you plan to perform live, record directly, or even just practice with headphones through an amp, the APX600 is the best option under $500. I have used thin-line Yamaha acoustics for coffee shop gigs and open mics, and they consistently deliver reliable performance with minimal feedback issues.
The thin-body design is what makes this guitar controversial among purists. Yes, it does not produce the booming unplugged volume of a full-depth dreadnought. But when amplified through the built-in piezo pickup system, it sounds better than most full-size guitars because the thinner body is less prone to feedback at stage volumes. This is a guitar designed for performance, not bedroom noodling.

The 25 inch scale length and narrower string spacing make this guitar particularly comfortable for players coming from electric guitar backgrounds. If you are used to a Stratocaster or Telecaster, the APX600 will feel familiar immediately. The slim neck profile continues this electric-friendly design philosophy.
The built-in tuner is genuinely useful – not an afterthought like on some budget electrics. It is chromatic, meaning it recognizes any note, not just standard tuning. The preamp includes bass and treble controls, allowing you to shape your sound for different venues and playing styles. These are features usually found on guitars costing significantly more.

Budget acoustic-electric guitars often suffer from poor electronics – harsh, quacky pickup tones that require extensive EQ to make usable. The APX600 avoids this trap with a piezo system designed specifically for the thin body. The result is an amplified tone that retains the character of the acoustic while projecting clearly through a PA system.
The Oriental Blue Burst finish on our test unit was striking without being flashy. The abalone sound hole rosette adds a touch of elegance. These are cosmetic details, but they matter when you are on stage. This guitar looks like it belongs there.
If you are a smaller player, or someone who finds full-depth dreadnoughts uncomfortable against your right arm, the thin-line body is a revelation. You can play for hours without the shoulder strain that comes from supporting a deep body. The cutaway provides full access to the upper frets, making this a viable option for lead playing.
One caveat: the action on our test unit was slightly high for my taste. A quick truss rod adjustment and saddle shave solved this, but budget $40-60 for a setup if you are not comfortable doing this work yourself. Once properly set up, this guitar plays as well as instruments costing twice the price.
Solid spruce top for quality sound
Concert size body for comfort
Laminated mahogany back and sides
25.3 inch scale with rolled edges
Fender Easy-to-Play neck shape
The concert body size occupies a middle ground that many players overlook. Smaller than a dreadnought but larger than a parlor or travel guitar, it offers enough bass response for strumming while being comfortable for fingerstyle playing. The CC-60S brings solid-top construction to this versatile body shape at a price that undercuts most competitors.
I spent a week with this guitar as my primary practice instrument, alternating between fingerstyle blues and strummed chord progressions. What impressed me was how well it handled both styles. The smaller body does not boom like a dreadnought, but the notes are articulate and balanced. For recording, this clarity is often preferable to the bass-heavy boom of larger guitars.

The Easy-to-Play neck shape is genuinely comfortable. Fender has removed the sharp edge where the fretboard meets the neck, creating a smooth surface that reduces thumb fatigue during long sessions. This seems like a small detail until you have experienced it – then you will notice its absence on other guitars.
Build quality on our test unit was excellent. The frets were level and polished, the finish was consistent, and the hardware worked as expected. The solid spruce top is properly bookmatched, showing attractive grain patterns that will develop character as the wood ages.

Why choose a concert size over the more common dreadnought? For smaller players, the reduced body depth makes a noticeable difference in comfort. You can hold the guitar closer to your body, reducing the left-hand reach required for barre chords. For fingerstyle players, the more balanced tone – less bass-heavy than a dreadnought – lets individual notes speak more clearly.
The 25.3 inch scale length is slightly shorter than the standard 25.5 inches, reducing string tension and making bends and barre chords slightly easier. Combined with the comfortable body size, this makes the CC-60S an excellent choice for younger players, smaller adults, or anyone who finds full-size guitars physically demanding.
This is the guitar I recommend when someone tells me they want a quality instrument but find dreadnoughts uncomfortable. The concert size works for a wide range of body types, and the solid top ensures you are not sacrificing tone for comfort. The 2-year warranty adds peace of mind for what is likely to be a long-term purchase.
One note: the pick guard arrives with a protective plastic film that can be tricky to remove cleanly. Take your time with this, and use a guitar polish to remove any adhesive residue. Once cleaned up, this is a visually attractive instrument that punches well above its price point.
After testing dozens of guitars in this price range, I have learned which features actually matter and which are just marketing fluff. Here is what you need to know before making your purchase.
The top of the guitar – the piece of wood with the sound hole – is where the magic happens. A solid top means the wood is a single, continuous piece. A laminate top means multiple thin layers are glued together. Solid tops resonate more freely, producing better tone and sustain. They also improve with age as the wood dries and stiffens.
Laminate tops are not evil. They are more durable, less sensitive to humidity changes, and significantly cheaper to manufacture. For a first guitar, laminate is perfectly acceptable. But if you plan to keep your instrument for years and want it to sound better as it ages, prioritize solid top models like the Yamaha FG800J or Fender CD-60S Solid Top.
Spruce is the most common top wood for good reason. It is stiff, strong, and responsive, producing a bright, clear tone with strong projection. Mahogany tops, like on the Fender CD-60S All-Mahogany, offer a warmer, more focused midrange that suits blues and fingerstyle playing.
For back and sides, mahogany provides warmth and balance. Rosewood (rarer under $500) adds complexity and overtones. Basswood and lindenwood are affordable alternatives that offer decent resonance at lower cost. The specific wood species matters less than whether the top is solid – focus your budget there first.
Dreadnought is the classic acoustic shape – large, deep body with strong bass response and high volume. It is the Swiss Army knife of acoustic guitars, suitable for strumming, flatpicking, and moderate fingerstyle. Most guitars in this roundup are dreadnoughts for this reason.
Concert and grand concert bodies are smaller, with less bass but more balanced tone across the frequency spectrum. They are comfortable for smaller players and excellent for fingerstyle. The Fender CC-60S represents this category well.
Thin-line bodies like the Yamaha APX600 sacrifice some unplugged volume for stage-friendly feedback resistance and playing comfort. Choose these only if you plan to amplify regularly.
If you plan to perform live or record directly into a computer, built-in electronics are worth the extra cost. Look for systems with built-in tuners and at least basic tone controls. The Yamaha APX600’s preamp is excellent for this price range.
If you will only ever play unplugged, skip the electronics and put that money toward a better acoustic instrument. You can always add an external pickup later if your needs change.
Most budget guitars benefit from a professional setup, which typically costs $40-80. This involves adjusting the truss rod, saddle height, and nut slots to optimize playability. Even well-made guitars sometimes arrive with high action that makes playing unnecessarily difficult for beginners.
If you are handy and patient, you can learn to do basic setup work yourself using online tutorials and inexpensive tools. However, for your first guitar, having a professional do the initial setup is worth the investment. A poorly set-up guitar can actually discourage practice and slow your progress.
The used market offers excellent value for acoustic guitars under $500. Quality instruments from brands like Yamaha, Fender, and Epiphone can often be found for 30-50% off retail prices. The risk is that you cannot easily evaluate condition and playability before purchase.
For beginners, I generally recommend buying new. You get a warranty, return policy, and the assurance that the instrument has not been abused or stored improperly. Once you know what to look for in a used guitar – checking for neck relief, fret wear, and bridge integrity – the used market becomes a great source of value.
Yamaha and Fender consistently deliver the best value under $500. Yamaha FG series offers exceptional build quality and solid tops at competitive prices. Fender CD-60S and CC-60S lines provide excellent playability and tone. Epiphone, Seagull, and Guild also offer quality options in this price range.
Yes, a solid-top acoustic is worth the extra cost if you plan to keep your guitar for more than a year. Solid tops produce better tone, more sustain, and actually improve with age as the wood dries and stiffens. For beginners unsure about long-term commitment, laminate tops are perfectly acceptable and more durable.
Spruce is the most popular top wood for its bright, responsive tone and strong projection. Mahogany tops offer a warmer, more focused midrange ideal for blues and fingerstyle. For back and sides, mahogany provides warmth and balance while rosewood adds complexity. Under $500, prioritize a solid spruce or mahogany top over exotic back and side woods.
Dreadnought bodies produce strong bass and high volume, making them versatile for most styles. Concert and grand concert bodies offer more balanced tone with less bass boom, ideal for fingerstyle. Thin-line bodies sacrifice some unplugged volume for playing comfort and stage-friendly feedback resistance. Choose based on your primary playing style and physical comfort.
Most acoustic guitars under $500 benefit from a professional setup costing $40-80. This adjusts action, intonation, and neck relief for optimal playability. Some guitars arrive playable from the factory, but many have slightly high action that makes learning more difficult. A proper setup can transform an acceptable guitar into an excellent one.
Choose an acoustic-electric only if you plan to perform live or record directly. Under $500, electronics add cost that could otherwise go toward better acoustic construction. If you primarily play at home, invest in a better acoustic guitar without electronics. You can always add an external pickup later if your needs change.
A well-made acoustic guitar under $500 can last decades with proper care. Solid top guitars from reputable brands like Yamaha and Fender often improve with age. Laminate guitars are more durable and humidity-resistant but do not age tonally. Budget for periodic string changes, humidification in dry climates, and occasional setups to maximize your guitar lifespan.
After three months of testing, analyzing thousands of customer reviews, and consulting with working musicians, our top recommendation for best acoustic guitars under 500 is clear. The Yamaha FG800J represents the best combination of build quality, tone, and long-term value. Its solid spruce top and reliable construction make it a guitar you will keep for years.
If you prefer a warmer tone and the security of a 2-year warranty, the Fender CD-60S All-Mahogany is an excellent alternative. For those on the tightest budget, the Fender California Debut Redondo delivers surprising quality under $150. Players needing electronics should look to the Yamaha APX600, while smaller players will appreciate the comfortable CC-60S concert size.
The best acoustic guitar under 500 is ultimately the one that inspires you to play more. All eight guitars in this roundup are capable instruments from reputable manufacturers. Choose based on your budget, body size preference, and whether you need electronics. Then start playing – that is where the real value lies.